Merry Christmas

So, the DVD for What Babies Want is off to be duplicated. Other than doing a trailer sometime after the new year, I'm done with that project (unless we have to re-cut for a distributor).

On Friday, I just started editing some spots for Baby Einstein. I'll be working on several commercial spots: I just made one for Baby Monet, and will be doing some things in January for a new line they are coming out with. I did some work for them a couple of years ago, and it's fun to see how much the company has grown since Disney bought them out. I just can't get away from working on baby-themed projects.

I leave Los Angeles late tomorrow night, to return to the land of my birth - Virginia. I'm going to be in Williamsburg over Christmas, but will be back in L.A. before New Years.

I wish everyone a Happy Holiday season and a prosperous New Year!

Hunky Santa

Hunky Santa

This is my girlfriend Adria Dawn's Christmas Card this year. Hunky Santa is the Santa Claus at the Beverly Center, in Beverly Hills.

File this under "only in L.A."

There's more to the heavens and the Earth, Horatio, than are dreamt of in your philosophies.

Back in the day - say, before the mid-Eighteenth Century or so - most people in Europe and America believed in the spirit world, in demons and pixies and angels, in the reality of magic (although most regarded it as evil), in the existence of God. In the fixed reality dictated by the Bible.

But along came these cats in the 17th-18th centuries -- Newton, Boyle, Locke, Franklin, Jefferson. They made up the "Enlightenment" - a movement away from superstition and intuition into cold, hard facts and logic.

At the heart of it all is the almost religious belief in the truth of the "Scientific Method." They considered themselves Empiricists who would only trust what they could measure and observe concretely with their own senses repeatably in the laboratory with control groups. This way of thinking is behind our technological advances of the last few hundred years.

The problem with the so-called objectivity of the Empiricists is that it presumes that what we can perceive directly through the five senses has greater weight than those things we cannot perceive through the senses.

The issue with that preference is that we know that human senses are really quite limited, at best.

Visible light, the radiation that allows us to see, is only the tiniest fractional piece of the huge electromagnetic wave spectrum. It’s all the same thing: radio waves, x-rays, visible light, ultraviolet, infrared, microwaves, etc. They are all just different wavelengths of the SAME THING. There’s this huge array of things actually happening right in front of you, with no need to invoke the supernatural, happening invisibly right now in front of you right now. If your eyes were more sophisticated, you’d be able to see it.

The same with sound. The human ear hears from 20Hz to 20,000Hz (more or less). Cats can hear up to 60000Hz, and the Noctuid Moth can hear up to 240,000 Hz. The sound is there, we just can't perceive it.

Or smell – just look at the example of dogs to see the limitations of the human nose.

The “Scientific Method” is really quite useful, to a point. But it presupposes that if an event is not recreatable, in the lab, by someone else, then it never happened.

Our minds create what we perceive as reality. I remember in graduate class on sound, they explained that, in a movie, a very loud sound will actually mask the sound that came out on the track directly BEFORE IT.

The sound that had already happened in time can seem, to the human brain, to come AFTER the extremely loud sound (like an explosion, say), and the explosion seems to come earlier.

Apparantly, our brain just kinda fills in the details in what you see in front of you, anyway.

Even our perception of time offers no objectivity. Einstein, to explain the theory of relativity, once said, “When a man sits with a pretty girl for an hour, it seems like a minute. But let him sit on a hot stove for a minute-and it's longer than any hour. That's relativity." For us, time does not always move at a constant rate.

To paraphrase the Bible, we see as through a glass darkly. Quantum mechanics and chaos theory suggests that what we perceive as an ordered universe is quite random and chaotic.

We should not be so arrogant as to presuppose that only the direct evidence of our limited senses is the truth. There are things, actual experiences out in the world, which are not replicatable in the laboratory. I think it would be difficult to quantify the mystical experience, and replicate it with a control group.

There is an incredible hubris in athiesm, it seems to me.

Volcano



A Christmas Greeting to All



Be filled with holiday cheer.

I found the story on Yahoo News, and made the picture in Photoshop.

New Look

I'm still a bit under construction, but if you look around, you can see that I've redesigned the site. I've indexed everything thematically, and you can use the buttons on the right for navigation.

Master Index lists all the links on one big page.

Thanks for coming!

Thoughts on Editing

I've done a lot of things in film production: directing, writing, shooting, producing -- but the job that I've done most is editing. Film Editing in this day and age means that I'm the guy sitting at the computer actually making the film.

When I say I'm "making" the film, it's like this: let's say I'm a carpenter, and I make chairs. "Production" (which is the part of the process usually featured in "making of" documentaries) is like going out into the woods, choosing which trees to chop down, and planing the wood and turning it into lumber.

It's about getting the raw materials and bringing them back.

What I do, in "post-production" is take those pieces of wood, drill through them, plane them, carve them out, paint and otherwise build the actual final piece.

In this metaphor, the actors or documentary subjects are the trees. The axe is the camera, etc.

If I was a sculptor, you could say that I am brought a marble slab, or several of them, and I'm the guy with the hammer and chistle, working on it every day.

I often work as "producer / editor" which usually means I'm self directing. These kinds of projects sometimes don't have a director, which means that I'm calling the shots as far as putting the show together, sometimes in collaboration with one to three other people, also working as producers. Or I'll work closely one-on-one with a Director or Producer, or I'll be given stuff and told to go make something out of it.

I always edit my own projects when I'm working as a director, which is how I got involved in editing in the first place.

Undergrad, I went to the University of Virginia, and graduated with "Interdisciplinary Studies." I had been in the honors program there, an "Echols Scholar," which allowed me to take 4 years of electives with no major requirement and no prerequisites for any class. I took a graduate level class on Ethics and Statecraft my first semester at school. I got an A-.

But mostly I took a lot of Drama Department classes. I guess I learned some things about dramatic storytelling and staging, but it seems to me now, in retrospect as a practicing professional, that the emphasis was too abstract and not focused enough on the practical realities of working professionally in the field. I think I learned a lot more during my time at New York University studying film, or as I was getting my MFA at the University of Southern California in Cinema-Television.

As an undergrad, I got frustrated by not being able to pick and choose the best performances out of actors, and not having a finished product you get to keep at the end of doing a play. A videotape of a performance is not the same as the experience of seeing a play live.

I directed a number of plays during college: Sweeney Todd, No Exit, The Indian Wants The Bronx -- to name a few. At the end of my time at Colonial Williamsburg, I directed a one-man show that ran for 6 or 7 years, starring Russ Lawson.

Directing "The Miss Firecracker Contest" reminded me again how hard it is for me to accept the Zen ephemeral quality to doing live theatre. You can't just put it in the DVD 10 years from now and show your kids.

So the desire to be able to capture the best takes of a performance and the desire to have a more permanent experience lead me to film making -- and that first desire is the desire to edit - to eliminate everything that isn't the best material.

That's what editing is, ultimately: getting rid of everything that isn't the final film. Finding the best bits and tossing out the others.

And playing the cut like music. A film is like a symphony, with different movements, different keys, tempos. Films have beats and rests, creshendos and decreshends.

For me, film editing and writing music are somehow similar.

What I'm working on

So, other than some odds and ends, I'm done for the moment with "What Babies Want." I'll be making a trailer sometime before March, and I have to finish the DVD (which is almost done) by Monday, but that project is mostly wrapped for me (other than some film festival appearances, which are always fun).
And the play is wrapped, the sets struck.
So, what to do?

Well, I'm working on a few things right now.
I'm still working on my album, and once I can figure out a good place to upload my MP3s to, I'll start linking them to this page (...if anyone has any suggestions, it would be appreciated!...)

I have this science fiction / thriller / black comedy script that I was working on a few years ago with J. Ayscue (he and I grew up together, and together we wrote the script for "Dinner" together, as well as several other produced and unproduced projects), and I've gone back to it (with J.'s permission) and I'm re-approaching what happens during the story. I'm making it much less about the science fiction trappings, and much much more about the personal struggles these characters are going through. I'm also expanding the plot so that, as opposed to one main character to whom everything happens, it is becomming more ensemble, with each character having their own distinctive stories that intertwine with each other. I think it will make the story richer.

He and I had originally pitched the story to the Sci-Fi Channel as an original series, then we re-vamped it to be a feature, and now I am re-approaching it to make it something else.

I have the original short film script that started it all off, and I'm planning on starting to shoot that, to put together a short film that I can use to get financing for the feature length project. It is my experience that people like giving money to things that they can see and are concrete to them, as opposed to just ideas.

Anyway, I can start shooting with my PD-150, my glidecam and a smile!

Plus, once I get the hard drive space back on my computer, I can start editing my L.A. rock scene documentary, the documentary about my (now late) 100 year old Grandmother, and the documentary about Cuba - all three of which are mostly just sitting on my shelves, waiting for me to have half a year to edit them each....

Virtual Bubble Wrap

This Virtual Bubble Wrap is just what you need.
Link

David and Adria



Adria Dawn (my girlfriend and co-producer) and I at "The Miss Firecracker Contest." She rocked so hard!

The Miss Firecracker Contest



Here is the poster / flyer design for the play I just directed in North Hollywood. I shot the still of Adria, and made the whole thing in Photoshop.

david and noah



Noah Wyle and I on set for the shoot of "What Babies Want"

Back to Blogging again

So, I've finished up producing / co-writing / editing "What Babies Want," and I'm just authoring the DVD for it right now. I should be done by Monday.
It premiered a few weeks ago at the historic Lobero Theatre in Santa Barbara. The crowd reaction blew me away. It was amazing to see how many people were really moved and touched by the film. It's a very encouraging reaction.
"The Miss Firecracker Contest" that I produced and directed was playing in the North Hollywood Arts District at the Andrew Benne Studio Theatre until just before Thanksgiving. It starred the lovely and talented Adria Dawn, who also produced the play with me and is the love of my life.
So, needless to say - I've been busy lately.
And I just flew back into town from Chicago, where I was with my family for Thanksgiving (my sister lives there and my parents flew in from Virginia to meet us), and then afterwards, we went down and saw Adria's family in Champaign, IL. It was great seeing everybody and getting out of L.A. for a minute. It's nice to go somewhere else and be reminded that the kind of people who live in L.A. are in fact a tiny minority of the kinds of people that live across this great land of ours. For better or for worse.
Anyway, I'm back - and I'll be putting a lot more up here in the weeks ahead. I've got several finished songs I'll post as MP3 files, and some video and more pictures. I just have to figure out where to post everything to link back to here.
Peace.